[RWBY] RWBY Shorts

[Gur40]

SNIP

Click to shrink...

Gur40goku said:
So Jaune loses a sister to a petty theft and never tells his dad he let the guy go leading to his sister death, but does tell his dad he killed the guy?

How does this Jaune react to Roman capturing Ruby in Mt Glenn?

AndrewJTalon said:

He tries to... Nick figures out Jaune killed the guy. This is why he tries to train him to be a Huntsman, to focus his anger on protecting others. But Jaune can't tell him how he failed. How this is all his fault. Even though Nick wouldn't blame Jaune, Jaune will blame himself.

And Jaune is going to go apeshit over Roman capturing Ruby. This is his trauma button pushed down all the way.

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Spoiler: Silent Jaune

 

[Gur40]

Remnant! Jessica meeting the JLxRWBY Jessica

Spoiler: Ghost Mentor

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Team RWBY After Atlas

Spoiler: Ruby Weiss Yang Blake

 

[SharkCultist]

Just had a not ok idea.

Not feeling great so not gonna try to snip it but basically idea here


Ozpin watching and mentoring some of his students.

Closely mentoring two of them, ends up becoming friends with them.

Recruits them to the Salem fight. Few years of saving each other's lives and co-operation.

Duo get married and drop out of the fight because they're expecting a kid.

Let's say kid is 5. Ozpin dies. Wakes up his usual soul graft with the kid.


How do you tell your best friends that you're killing their son and there's nothing anyone can do?

 

[cavalal386]

Spoiler: This is second prompt I was thinking about.

The goblet of fire has two extra functions. The first and most well-known one is that the goblet shows a memory of the champions to show why, out of all the candidates, they were chosen.

The second, but forgotten one, is a failsafe against cheating. When all champions learn of a task before it begins, the goblet instead places them in a simulated world made from the knowledge of the judges and the champions, both past and present. The simulation is not limited to just three tasks, but to the entire world, with each moment passed the simulation getting harder and deadlier until only one remains, something that may take years in the simulation, but never has a champion survived that long. Nor does the goblet limit itself to the magical world; it takes from the non-magical world as well. That is the true horror of the simulation: the goblet keeps it realistic. If there is a slight possibility of something happening in the real world, it will happen in the simulation, just at a more escalated pace.

The champions are unaware that they have been placed in a simulation; to them, it is real.

The simulation does not kill the champions, something that many consider a cruel mercy. Instead, when a champion dies in the simulation, the world around them vanishes, and they are cast out. They awake in the real world, physically whole but mentally scarred, with faint scars from the worst injuries they endured — especially the one that killed them. There is no way to return to the simulation. The Goblet of Fire's judgment is not cyclical; it is definitive. Once they've died, the trial is over, no second chances.

All the while, the audiences can do nothing but watch the simulation. The goblet is not cruel, it is not kind. It judges.

Does anyone know how it might fit RWBY?
I'm thinking something like a semblance or a holodeck, but other than that I got no idea.

 

[SharkCultist]

Spoiler: This is second prompt I was thinking about.

The goblet of fire has two extra functions. The first and most well-known one is that the goblet shows a memory of the champions to show why, out of all the candidates, they were chosen.

The second, but forgotten one, is a failsafe against cheating. When all champions learn of a task before it begins, the goblet instead places them in a simulated world made from the knowledge of the judges and the champions, both past and present. The simulation is not limited to just three tasks, but to the entire world, with each moment passed the simulation getting harder and deadlier until only one remains, something that may take years in the simulation, but never has a champion survived that long. Nor does the goblet limit itself to the magical world; it takes from the non-magical world as well. That is the true horror of the simulation: the goblet keeps it realistic. If there is a slight possibility of something happening in the real world, it will happen in the simulation, just at a more escalated pace.

The champions are unaware that they have been placed in a simulation; to them, it is real.

The simulation does not kill the champions, something that many consider a cruel mercy. Instead, when a champion dies in the simulation, the world around them vanishes, and they are cast out. They awake in the real world, physically whole but mentally scarred, with faint scars from the worst injuries they endured — especially the one that killed them. There is no way to return to the simulation. The Goblet of Fire's judgment is not cyclical; it is definitive. Once they've died, the trial is over, no second chances.

All the while, the audiences can do nothing but watch the simulation. The goblet is not cruel, it is not kind. It judges.

Does anyone know how it might fit RWBY?
I'm thinking something like a semblance or a holodeck, but other than that I got no idea.

Click to shrink...

What about making that the power of the crown?

A simulation where all your choices effect the world.

 

[Gur40]

How do you tell your best friends that you're killing their son and there's nothing anyone can do?

Click to shrink...

Would Explain were the technique to submerge himself in the subconscious came from when he did it for Oscar

That is a skill you need for a very specific reason and making sure not to 'immediately' absorb you friends child sounds about right

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What about making that the power of the crown?

A simulation where all your choices effect the world.

Click to shrink...

So both a lotus-eater/matrix style ?

View: https://www.youtube.com/watch?v=0MOS192DUNI

 

[AndrewJTalon]

Also, the various artistic takes on Minas Terith and other Middle Earth cities would be great for Remnant. Minas Terith has essentially been at war with Mordor for thousands of years with lulls in the conflict but always facing potential invasion. So big walls, defensive areas? Good choices.

This could work as a Valean city.

 

[Gur40]

When i think about it this was the battle of Haven results

Spoiler: Lionheart already killed off all the hunters

Considering how many villages fell before they arrived at Mistral Capital

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FNKI - RWBY / Ever After: Unlimited Trauma Works

Spoiler: They Cooked

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Ruby dealing with it

Spoiler: Ruby vs Salem

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And Yang after V3 vs Before

Spoiler: Plot vs PLOT

A true loss

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RWBY Board Game

Spoiler: What Do you Think

Ruby Jaune Coco Sun Cardin and Arslan are the pieces

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Nuts and Dolts

Spoiler: Dressing Like Your Significant Other

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How Old Was Ruby?

Spoiler: Is the age a retcon

or did Ruby just really need a nap during Yang story

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Scroll really are bad for secrecy

Spoiler: Blake Learned That The Hard Way

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Lives Rent Free In My Head

Spoiler: What's Your Reason

 

[AndrewJTalon]

So, I'm thinking of a chapter of "The Arc Clan" where Father Alexander gives a sermon. Basically he goes by Jaune and his friends and says:

"Hey, you're going to be at church this Sunday."

Weiss: "We are?"

Alexander: Ominous Aura while smiling in a friendly way

Jaune: "Of course we are, Uncle!"

Alexander: All smiles, sunny "Wonderful!"

Ren: "I'm Pathist-"

Jaune: sighs "I know, but he'll let it go after one sermon."

So, what's that like?

I'm thinking that everyone's expecting Alexander to recount a battle against the Grimm or pull a Port and slay a Grimm while pounding the pulpit to pieces (which he has done during some of his sermons). Surprisingly, Alexander gives an emotional sermon about the courage of a young orphan boy who he recently took in.

Alexander: "This boy came to our church. He had run for three days and nights to get help when his village came under attack by Grimm. Well, we got there, killed the Grimm... But his parents were dead. They had thrown themselves into the fight, and told him to run for help. He blamed himself. He called himself a coward, and sobbed. I sat with him for a long time, letting him cry. There's no shame in anyone crying when something like that happens. Then I said that no, he was very brave. He asked how that could be, when he was crying and had wet his pants and had fallen down so many times? When he had failed to save his parents?"

A silence before Alexander resumes.

Alexander: "On the night He sacrificed himself for us, Aslan Himself wept tears out of fear and anguish. He knew what He had to do, He knew how it would turn out, but He still wept because He was mortal. And he still went forth and died for all of us. The White Witch killed him herself on the Table, and she thought she had won... But she didn't know the truly Deep Power that Aslan did. There is no greater love than that of laying down your life for another. For that, Aslan was brought back, opened the path of redemption to all who believe, and bit out that smug Witch's throat. Her mortal body died, and her army was scattered... But it was only her mortal body on Remnant. Evil still exists. Darkness still exists."

Another silence. Alexander shook his head.

Alexander: "But so does Good. And courage is part of that good. Courage is not just warriors slaying countless Grimm on a battlefield. Courage is in the widow who gets up every day to feed her family despite how hard it is alone. Courage is what our Savior displayed, weeping and afraid, before stoically going to His death for us. And courage is what the wee lad displayed, running, falling but always getting back up, to save his village. His parents did not die in vain, for they raised a good, kind and courageous boy. A boy who saved their village. A boy they gladly died for, out of love, in the hopes of good triumphing even if it meant their lives. And so it is with life. It is not just giant battles and glory: It is in the refusal to let your fear, your sorrow, you anguish, prevent you from doing what is necessary for others, to burn bright enough to turn back the darkness in this world-Just as the Tablebreaker did. It is in these and a million other little battles against sorrow and despair that keeps us fighting for the good in this world, and why it is worth fighting for."