The original Taylor, the one we can track from canon, died friendless, heartbroken and alone.
If you separate each clone from the original, which I really can't, then she died about 2 (?) years ago in the story. She's been out of it for ages, and the story is only vaguely related to her by proxy. Which is still bad, sure, but she's got nothing to do with whether or not the story is dark since that's pretty much just Worm canon and
that Taylor is barely in this story at all. Friendless, heartbroken and alone. She might not have died in the end, but that's still how it left her.
Where as the current Taylor died surrounded by friends, fighting (mostly) united with her allies against a force they were aware of well in advance, after getting married to someone who had been there for her in a way no one else could understand for the last few years. That sounds pretty damn good to me.
Not to mention the whole... mindmerging subplot between shard pairs.
I'm not sure how this matters since the people who're merging are (as far as I can tell) all clones of people who're already dead anyway. I don't think you should be able to have this both ways.
In addition to this:
Sure, it's painted in a nice light, but that's what makes it so creepy.
Why?
They're all already under:
the same as they've always been. It's a little more noticeable compared with the canon 'conflict' deal shards impose, but it's at least beneficial, and actually helps negate harmful impulses.
I know you can say it's bad to mess with people's minds, but that's basically (
very basically) what relationships do anyway.
body horror on a massive scale, serial immortality
There's a lot of people out there who wouldn't give a rats ass about being a clone, getting cloned, or living forever through cloning. I've never really thought about it before, but apparently it just doesn't bother me, so I think on these I'll just disagree and leave it at that.
broken people fixing each other... at the cost of their humanity
You could argue that once you get superpowers you remove yourself from the human condition/mindset to begin with. I wont, because that's a pointless argument.
But they didn't really lose their humanity. They changed, sure, but they're still themselves, and by the time they merge they've already made a choice that they're happy being with each other as each other. They're still thinking mostly human, they're still looking out for the people they left behind since they recognize the connection between them, the various earths still weigh on their mind somewhat.
It doesn't seem to me like they lost all that much really.
Sure, it was a Good End, but only at the cost of the characters we are all familiar with losing themselves and becoming something infinitely greater, and staggeringly inhuman.
They didn't lose themselves. They might have changed over the years (as all people do), grown closer to each other (as decent couples do), and tossed away the idea of limiting their lifespans (which a lot of people would love to do), but I wouldn't call them staggeringly inhuman.
In form, sure. Mentally? Well, that's another argument entirely, and I
really don't want to debate 'what is humanity' online. At all.
Anyway, my point isn't that 'Amelia is a perfectly happy story', it was that whilst there's parts of it that are sad or troubling (or sadly troubling/troublingly sad), and characters have a bad time of it plenty of times, it doesn't
feel like a sad story to me in any way.
It's not some tragedy, where the character's suffering is the entire point of the plot, and it's not the reverse (is there a term for this?) where everything comes up smelling of roses. It's just a straight, plain, everyday* story, where good things happen, bad things happen, and characters live out their lives. Not the 'darkest fix fic' I've read at all.
* these aren't meant to be taken as an evaluation of the story's value itself, just the tone of the story. I know they sound a bit insulting but I couldn't figure out any other way to say it.