A Tale of Two Sisters
AJ_Talon
Well worn.
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- Apr 24, 2015
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A Tale of Two Sisters
- - -
The dressing room mirror was fogged with steam and the scent of cheap powder. Athena Nikos—barely twenty, still carrying the soft swell of pregnancy beneath the tight corset of her costume—stared at her reflection as if it belonged to someone else. The girl in the glass had wide, frightened blue-green eyes and short red hair plastered to her forehead with sweat. She looked nothing like the rising star the tabloids were starting to whisper about.
Peleus stood behind her, tall and aristocratic, his hands gentle on her shoulders. His voice was warm honey, the same voice that had convinced her to sign with him two years earlier.
"It's for the best, my love," he murmured, thumbs tracing small circles against the fabric of her robe. "A child right now? It would destroy everything we've built. The studios don't want a pregnant ingenue. They want Athena Nikos, the face of the new Mistralian golden age. One year. Maybe two. You give her up quietly, we focus on your career, and when the time is right… we'll have our family on our terms. A proper legacy. Not some rushed mistake that chains you to mediocrity."
Athena's hands trembled as they cradled the curve of her belly. The baby had kicked earlier that morning—strong, insistent, alive.
"I… I don't know if I can," she whispered.
Peleus's smile in the mirror was patient, paternal. "You're an actress, Athena. The greatest one I've ever seen. This is just another role. Play the part of the woman who chooses greatness. The world will thank you for it. I will thank you for it." He leaned down, pressing a kiss to her temple. "And when we're on top, when the Nikos name commands respect again, we'll have as many children as you want. This one… she'll have a better life with a proper family. Not the scraps we can offer her now."
She wanted to believe him. Gods, how she wanted to believe him. The alternative was poverty again—waitressing, bit parts, the same cycle that had nearly killed her mother. So she signed the papers. She let them take her daughter while the anesthesia from the delivery still clouded her mind, and she told herself it was temporary. A scene that would end when the curtain fell.
The guilt began immediately and never left.
At first it was a quiet ache during long shoots. She would stare at the script and see only the blank space where a child's laughter should have been. She hired the first private investigator in secret, paying him from her own modest savings while Peleus was away on business. The man found nothing. Closed adoptions. Burned records. Dead ends.
Years passed. Athena threw herself deeper into her roles. She became the tragic heroine, the seductive villainess, the iron-willed matriarch—anyone but the woman who had given away her firstborn. Peleus proposed. They married. And when Pyrrha came—perfect, healthy, with that same spark of fire in her eyes as the first—Athena swore she would never make the same mistake.
But the fear followed her like a shadow.
She hired more investigators. Different ones. Paid them in cash. Met them in dingy cafés wearing disguises that would have made her laugh if she weren't so desperate. Every dead end carved another piece out of her. She began staying in character longer after wrap. It was easier to be the composed professional than the mother who had failed her first child.
Then came that night.
Athena sat alone in her Argus penthouse, the city lights glittering coldly through rain-streaked windows. The latest investigator—a hard-eyed Faunus woman with a lizard tail tucked under her coat—slid a thin folder across the marble table.
"Miss Nikos…" She hesitated.
Athena opened it with shaking fingers. Photographs. Records. A little girl with dark hair and burning amber eyes being taken in by the owners of the Glass Unicorn—a lavish but notorious establishment that doubled as an orphanage for "troubled" children. The girl had been renamed Cinder. She had survived. She had lived.
For one fragile moment, hope flared in Athena's chest so brightly it hurt.
Then the woman spoke again, voice flat.
"The Glass Unicorn burned down three weeks ago. Arson, they're saying. Most of the staff and children didn't make it out. Your daughter… Cinder… is presumed dead."
The folder slipped from Athena's hands. Papers scattered across the floor like ashes.
She didn't scream. She didn't cry. Not at first.
Instead, she felt something inside her shatter—clean and final, like a mirror breaking. The woman who had once dreamed of redemption folded in on herself. She reached for the nearest persona she knew by heart: the grieving widow from her last film. The lines came easily. The posture. The distant, elegant sorrow.
It was safer there.
Peleus found her hours later still sitting amid the scattered papers, smiling the serene, tragic smile of a character who had just lost everything on screen. When he asked what was wrong, she told him it was nothing. Just another scene she was practicing.
Inside, the real Athena screamed until her voice gave out. She never quite found her way back.
- - -
The dressing room mirror was fogged with steam and the scent of cheap powder. Athena Nikos—barely twenty, still carrying the soft swell of pregnancy beneath the tight corset of her costume—stared at her reflection as if it belonged to someone else. The girl in the glass had wide, frightened blue-green eyes and short red hair plastered to her forehead with sweat. She looked nothing like the rising star the tabloids were starting to whisper about.
Peleus stood behind her, tall and aristocratic, his hands gentle on her shoulders. His voice was warm honey, the same voice that had convinced her to sign with him two years earlier.
"It's for the best, my love," he murmured, thumbs tracing small circles against the fabric of her robe. "A child right now? It would destroy everything we've built. The studios don't want a pregnant ingenue. They want Athena Nikos, the face of the new Mistralian golden age. One year. Maybe two. You give her up quietly, we focus on your career, and when the time is right… we'll have our family on our terms. A proper legacy. Not some rushed mistake that chains you to mediocrity."
Athena's hands trembled as they cradled the curve of her belly. The baby had kicked earlier that morning—strong, insistent, alive.
"I… I don't know if I can," she whispered.
Peleus's smile in the mirror was patient, paternal. "You're an actress, Athena. The greatest one I've ever seen. This is just another role. Play the part of the woman who chooses greatness. The world will thank you for it. I will thank you for it." He leaned down, pressing a kiss to her temple. "And when we're on top, when the Nikos name commands respect again, we'll have as many children as you want. This one… she'll have a better life with a proper family. Not the scraps we can offer her now."
She wanted to believe him. Gods, how she wanted to believe him. The alternative was poverty again—waitressing, bit parts, the same cycle that had nearly killed her mother. So she signed the papers. She let them take her daughter while the anesthesia from the delivery still clouded her mind, and she told herself it was temporary. A scene that would end when the curtain fell.
The guilt began immediately and never left.
At first it was a quiet ache during long shoots. She would stare at the script and see only the blank space where a child's laughter should have been. She hired the first private investigator in secret, paying him from her own modest savings while Peleus was away on business. The man found nothing. Closed adoptions. Burned records. Dead ends.
Years passed. Athena threw herself deeper into her roles. She became the tragic heroine, the seductive villainess, the iron-willed matriarch—anyone but the woman who had given away her firstborn. Peleus proposed. They married. And when Pyrrha came—perfect, healthy, with that same spark of fire in her eyes as the first—Athena swore she would never make the same mistake.
But the fear followed her like a shadow.
She hired more investigators. Different ones. Paid them in cash. Met them in dingy cafés wearing disguises that would have made her laugh if she weren't so desperate. Every dead end carved another piece out of her. She began staying in character longer after wrap. It was easier to be the composed professional than the mother who had failed her first child.
Then came that night.
Athena sat alone in her Argus penthouse, the city lights glittering coldly through rain-streaked windows. The latest investigator—a hard-eyed Faunus woman with a lizard tail tucked under her coat—slid a thin folder across the marble table.
"Miss Nikos…" She hesitated.
Athena opened it with shaking fingers. Photographs. Records. A little girl with dark hair and burning amber eyes being taken in by the owners of the Glass Unicorn—a lavish but notorious establishment that doubled as an orphanage for "troubled" children. The girl had been renamed Cinder. She had survived. She had lived.
For one fragile moment, hope flared in Athena's chest so brightly it hurt.
Then the woman spoke again, voice flat.
"The Glass Unicorn burned down three weeks ago. Arson, they're saying. Most of the staff and children didn't make it out. Your daughter… Cinder… is presumed dead."
The folder slipped from Athena's hands. Papers scattered across the floor like ashes.
She didn't scream. She didn't cry. Not at first.
Instead, she felt something inside her shatter—clean and final, like a mirror breaking. The woman who had once dreamed of redemption folded in on herself. She reached for the nearest persona she knew by heart: the grieving widow from her last film. The lines came easily. The posture. The distant, elegant sorrow.
It was safer there.
Peleus found her hours later still sitting amid the scattered papers, smiling the serene, tragic smile of a character who had just lost everything on screen. When he asked what was wrong, she told him it was nothing. Just another scene she was practicing.
Inside, the real Athena screamed until her voice gave out. She never quite found her way back.