Chapter 1154
Malcolm Tent
Monkey with a typewriter.
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I was being very careful. Slow. Steady. My hands were rock solid, my concentration honed to a razor's edge, everything was riding on this moment…and then my finger slipped and the gear I was tightening popped off and hit me in the face. "Godsdamnit!" I snarled, all but flipping the table I was working at.
Professor Hawkins chuckled at me, and I glared at him. "Having trouble?" He asked wryly.
"Why am I even DOING this?" I demanded. "I'm here to learn Mythcrafting, not tinkering. How is this helping me?"
He snorted, then pointed to the piece I was working on. "What is that?"
"It's a lever pivot," I answered reflexively. He pointed to another spot. "Regulator." Another. "Gear Train. I know the parts. I'm not stupid. I memorized your annoying diagrams. I'm just not sure how this helps me."
He rolled his eyes. "This is the problem with naturals. You don't know how to BUILD. You just 'do the thing' and stuff happens. That's not crafting, it's improv. I don't DO improv. If you're learning basics from me, I'm teaching you right, which means you're going to need to go through the process. Watchmaking is soothing and teaches patience, but more accurately, it teaches PROCESS. That's why the tools you're using seal your stats."
Which was my least favorite part of this damned training. Obstacle courses with no stats, sucked, but they were doable. Delicate machining with no stats was a nightmare the likes of which I could never have imagined.
"I get the concept," I grimaced. "It just feels so…arbitrary. Mental constructs can be whatever I want, right? Why pick something so…rigid?"
"I picked it BECAUSE it's rigid," he snapped. "You NEED rigid. Your thinking is too flexible. Creativity is useful, but it begins to become a liability when you run into problems remaining consistent. Mythcrafting isn't just myths, it's also crafting. It's a science as well as an art, and science needs to be repeatable. Creating a decent worldforce is iterative. You need to experiment, and that means tracking your progress. Creating techniques and Domains is how you learn."
I grimaced, but nodded anyway. "Fine. But what is my goal here? Aside from obviously making a watch. Like what's my first step?"
"Simple," he said with a shrug. "I want you to rebuild those demons of yours from scratch. Not improve, mind. Rebuild. Exactly as they are. You need to understand them and how they work before you can improve them. Learn to improve your Mythcrafting by learning your current limits and then pushing them. If you go by watchmaking terminology, you'll be learning to create watches with more movements. But first you need to figure out how many movements the current constructs have. And before THAT-" he hurled a small wooden duck (that he hadn't been holding before) at my head, bouncing it off my mask. "You need to BUILD THAT DAMNED WATCH!"
I sighed, getting back to work on my project. It was slow, and hard, and frustrating. I messed up a bunch of times. And even when I did it right he sometimes made me do it over because it wasn't good enough. I was so excited when I made my first working watch…until he dropped it from four inches above the desk and it all but exploded on contact. Apparently they weren't supposed to do that, so he made me do it again.
Finally, after HOURS of repetition, we stopped. I let out a long sigh of relief. "Finally. Am I done now?"
"Done?" he asked scathingly. "For the day maybe. If you mean have you learned all there is to learn about the delicate art of horology, then not even close. This is just the most basic practice. Next we move to disassembly and reconstruction, then to repair. You have quite a bit to learn before you're ready to Mythcraft."
I grimaced, sighing deeply. "How will this help, exactly? I get needing to understand the constructs, but how will THIS part help?"
He sighed. "Because Mythcrafting is about intent. The more ingrained the imagery, the more durable the construct. You've accomplished similar things with visualization, but this is a more stable method of taking advantage. You learn the parts, the mechanics, the feel of the metal, the process. You burn it into your brain over and over, and then when it's time to construct, it's more stable. The construct, much like your books, is mostly immaterial, save that it provides you with context."
That made sense. Still, for the moment I was past the worst of it, and I put the tools away with great relish. Then I flexed my fingers, because they fucking hurt. With no stats, the delicate manipulation of tiny objects had been a pretty unusual activity for my hands to undertake. Beyond the finger pain from overuse, the sides and backs of my hands hurt from twisting in ways they weren't used to.
Still, it was kind of satisfying, in a way. Even more than the obstacle course was. It felt good to learn to do something the old fashioned way. I was honestly kind of surprised I didn't get a skill for it, though I supposed I'd have had to reincarnate a demon for that. I wondered if I'd get an offer or if I'd need to go out of my way to do that directly.
Regardless, I was learning, and it felt good to have some kind of measurable control over my growth. The only downside was that the horology lessons weren't actually Mythcrafting related, so my talent wasn't doing much to help with them.
After saying my goodbyes to professor Hawkins (whose first name was apparently Alden), then headed out to return to my quarters. Once I arrived, I climbed into my bed, closed my eyes, and stepped from my Domain into the Stygian Vault via the connection I had with my wife. She was already there when I arrived, but she hopped up, excited to see me, and ran over to wrap me in a tight hug.
I laughed at the enthusiasm. "Someone is excited," I said with a grin. "I take it you had a more interesting first day of class than I did?"
"Yes!" she squealed excitedly. "Professor Strauss took us out of the cities into the tower proper and we got to watch her fight some kind of S-ranked titan monster. It was HUGE and she absolutely demolished it. Suppressed her power to the same rank and then mopped the floor with it using only portals."
I raised an eyebrow at that. "Sounds intense. I kind of want to see that."
She grinned, grabbing my hand and escorting me over to a small bowl nearby. "Luckily, I've got you covered. THIS is my record of memory. It's a new toy I've been testing out. It's an inversion of a stealth artifact I got my hands on in Common City, and I've been using it to learn to steer the result of the Vault's manifestations a bit. I'm still new at it, but this was close enough to the exact opposite of stealth that I got away with it."
I picked the bowl up, turning it over with interest. "It's a bowl. Doesn't the Vault make exact inversions. What kind of stealth artifact is a bowl?"
"A VERY hard to find one," she huffed. "It works by pouring a film of imperceptibility over your head. Coats you in the stuff so no one notices you. I figure the opposite of pouring a bunch of not notice out onto someone would be pouring a bunch of things you DID notice into the bowl. Apparently the Vault agreed, because here it is."
Grinning proudly, she opened her mouth and exhaled over the bowl. As I watched, her breath coalesced into a thick mist before condensing into a liquid. In the bowl, an image began to form, like I was looking at a screen.
I leaned forward for a better look, intrigued about what this battle had entailed that had Callie so excited. In the image, a tall, red haired woman with high cheekbones stood in front of a group of people. Callie wasn't IN the group that I could see, but that was because I was seeing from her point of view.
"Greetings," said the woman calmly. "My name is Professor Sarah Strauss, and I teach Combat Application of Spatial Distortion. Now, can someone tell me the simplest method of distorting space?"
One of the students raised a hand. "Um, teleporting?"
She shook her head. "It is, in fact, spatial lubrication. In fact, that particular power is so ubiquitous that it is considered the most common spatial ability it is possible to be born with. That is not to say that it is weak, however, all manipulation of space can be efficacious if applied properly. Above lubrication is condensation, which the layman may consider teleportation, though it is not, and above that is tearing, which some prefer to term 'portals'. These are the basic tools of a spatial ascendant's trade. And the ones I will be educating you on today."
Turning, she gestured behind her. In the distance, something rose over the skyline. Something huge and terrifying with three eyes and a crown of dark horns. "First, lubrication," she said calmly, swiping a hand over the horizon. The monster, which had been moving forward, simply…flowed across the intervening space to appear a mile or so away from the class, towering over the students. "Second, condensation," she intoned, vanishing to appear in the air across from the monster.
The creature snarled at her darkly, rage and hate writ plain on its demonic features as it lashed out with a fist the size of a small building. "Third," she said placidly. "Tearing."
She waved a hand again, and like she was pulling aside a curtain, the space in front of her rippled, revealing a different viewpoint from before hanging translucently in front of her. I almost didn't realize what she had done until the fist hit the distortion and passed right through….emerging from under the monster's chin and smashing its head back in a truly brutal uppercut.
It started to fall, but with another flick, the portal closed, cutting off the arm entirely and leaving the monster stumbling back dazedly, one arm missing and the stump bleeding profusely. She flicked her fingers again, pulling that same spatial curtain over the arm and making it vanish like a magician at a stage show.
The monster roared and hissed, snarling with rage, and seemed to shake off the damage, raising its other arm to strike her down…and then its head VANISHED.
It took me a second to process what had happened, because the damage was so catastrophic it was almost impossible to piece together without going back over it from the beginning. The arm. The one she'd vanished. She'd teleported it high into the air, fist down. She'd dropped it from miles up and waited for the monster to walk into its own orbital punch. Now I knew what people meant when they described powerful blows as being "like the fist of an angry god".
The liquid dissolved, and I looked up to see Callie grinning at me wolfishly. "She's AMAZING, isn't she?" she asked eagerly. "I'm planning to ask her to be my academic advisor. Can you imagine how much I'll learn?"
Thinking about Professor Hawkins, who was pretty much filling that role for me, I was kind of jealous, but I wasn't too upset. Callie deserved a good mentor, and I was excited to see her catch up to me. This Professor Strauss seemed pretty amazing. But I knew there was more to this than just her showing off.
I grinned as I stood up, calling my staff to my hand as I started to limber up. "Let me guess, you want to see how much of that nonsense you can do on your own?" I asked her with an excited laugh. "It has been a while since we had a proper sparring match. Go ahead then, show me what you can do." I triggered Mornax, pushing it to A-rank with the staff's effects. "Defense only. I want to see what you're really capable of." Without having to worry about hurting me, I saw her start to get really amped up. This was going to be so much fun.
Professor Hawkins chuckled at me, and I glared at him. "Having trouble?" He asked wryly.
"Why am I even DOING this?" I demanded. "I'm here to learn Mythcrafting, not tinkering. How is this helping me?"
He snorted, then pointed to the piece I was working on. "What is that?"
"It's a lever pivot," I answered reflexively. He pointed to another spot. "Regulator." Another. "Gear Train. I know the parts. I'm not stupid. I memorized your annoying diagrams. I'm just not sure how this helps me."
He rolled his eyes. "This is the problem with naturals. You don't know how to BUILD. You just 'do the thing' and stuff happens. That's not crafting, it's improv. I don't DO improv. If you're learning basics from me, I'm teaching you right, which means you're going to need to go through the process. Watchmaking is soothing and teaches patience, but more accurately, it teaches PROCESS. That's why the tools you're using seal your stats."
Which was my least favorite part of this damned training. Obstacle courses with no stats, sucked, but they were doable. Delicate machining with no stats was a nightmare the likes of which I could never have imagined.
"I get the concept," I grimaced. "It just feels so…arbitrary. Mental constructs can be whatever I want, right? Why pick something so…rigid?"
"I picked it BECAUSE it's rigid," he snapped. "You NEED rigid. Your thinking is too flexible. Creativity is useful, but it begins to become a liability when you run into problems remaining consistent. Mythcrafting isn't just myths, it's also crafting. It's a science as well as an art, and science needs to be repeatable. Creating a decent worldforce is iterative. You need to experiment, and that means tracking your progress. Creating techniques and Domains is how you learn."
I grimaced, but nodded anyway. "Fine. But what is my goal here? Aside from obviously making a watch. Like what's my first step?"
"Simple," he said with a shrug. "I want you to rebuild those demons of yours from scratch. Not improve, mind. Rebuild. Exactly as they are. You need to understand them and how they work before you can improve them. Learn to improve your Mythcrafting by learning your current limits and then pushing them. If you go by watchmaking terminology, you'll be learning to create watches with more movements. But first you need to figure out how many movements the current constructs have. And before THAT-" he hurled a small wooden duck (that he hadn't been holding before) at my head, bouncing it off my mask. "You need to BUILD THAT DAMNED WATCH!"
I sighed, getting back to work on my project. It was slow, and hard, and frustrating. I messed up a bunch of times. And even when I did it right he sometimes made me do it over because it wasn't good enough. I was so excited when I made my first working watch…until he dropped it from four inches above the desk and it all but exploded on contact. Apparently they weren't supposed to do that, so he made me do it again.
Finally, after HOURS of repetition, we stopped. I let out a long sigh of relief. "Finally. Am I done now?"
"Done?" he asked scathingly. "For the day maybe. If you mean have you learned all there is to learn about the delicate art of horology, then not even close. This is just the most basic practice. Next we move to disassembly and reconstruction, then to repair. You have quite a bit to learn before you're ready to Mythcraft."
I grimaced, sighing deeply. "How will this help, exactly? I get needing to understand the constructs, but how will THIS part help?"
He sighed. "Because Mythcrafting is about intent. The more ingrained the imagery, the more durable the construct. You've accomplished similar things with visualization, but this is a more stable method of taking advantage. You learn the parts, the mechanics, the feel of the metal, the process. You burn it into your brain over and over, and then when it's time to construct, it's more stable. The construct, much like your books, is mostly immaterial, save that it provides you with context."
That made sense. Still, for the moment I was past the worst of it, and I put the tools away with great relish. Then I flexed my fingers, because they fucking hurt. With no stats, the delicate manipulation of tiny objects had been a pretty unusual activity for my hands to undertake. Beyond the finger pain from overuse, the sides and backs of my hands hurt from twisting in ways they weren't used to.
Still, it was kind of satisfying, in a way. Even more than the obstacle course was. It felt good to learn to do something the old fashioned way. I was honestly kind of surprised I didn't get a skill for it, though I supposed I'd have had to reincarnate a demon for that. I wondered if I'd get an offer or if I'd need to go out of my way to do that directly.
Regardless, I was learning, and it felt good to have some kind of measurable control over my growth. The only downside was that the horology lessons weren't actually Mythcrafting related, so my talent wasn't doing much to help with them.
After saying my goodbyes to professor Hawkins (whose first name was apparently Alden), then headed out to return to my quarters. Once I arrived, I climbed into my bed, closed my eyes, and stepped from my Domain into the Stygian Vault via the connection I had with my wife. She was already there when I arrived, but she hopped up, excited to see me, and ran over to wrap me in a tight hug.
I laughed at the enthusiasm. "Someone is excited," I said with a grin. "I take it you had a more interesting first day of class than I did?"
"Yes!" she squealed excitedly. "Professor Strauss took us out of the cities into the tower proper and we got to watch her fight some kind of S-ranked titan monster. It was HUGE and she absolutely demolished it. Suppressed her power to the same rank and then mopped the floor with it using only portals."
I raised an eyebrow at that. "Sounds intense. I kind of want to see that."
She grinned, grabbing my hand and escorting me over to a small bowl nearby. "Luckily, I've got you covered. THIS is my record of memory. It's a new toy I've been testing out. It's an inversion of a stealth artifact I got my hands on in Common City, and I've been using it to learn to steer the result of the Vault's manifestations a bit. I'm still new at it, but this was close enough to the exact opposite of stealth that I got away with it."
I picked the bowl up, turning it over with interest. "It's a bowl. Doesn't the Vault make exact inversions. What kind of stealth artifact is a bowl?"
"A VERY hard to find one," she huffed. "It works by pouring a film of imperceptibility over your head. Coats you in the stuff so no one notices you. I figure the opposite of pouring a bunch of not notice out onto someone would be pouring a bunch of things you DID notice into the bowl. Apparently the Vault agreed, because here it is."
Grinning proudly, she opened her mouth and exhaled over the bowl. As I watched, her breath coalesced into a thick mist before condensing into a liquid. In the bowl, an image began to form, like I was looking at a screen.
I leaned forward for a better look, intrigued about what this battle had entailed that had Callie so excited. In the image, a tall, red haired woman with high cheekbones stood in front of a group of people. Callie wasn't IN the group that I could see, but that was because I was seeing from her point of view.
"Greetings," said the woman calmly. "My name is Professor Sarah Strauss, and I teach Combat Application of Spatial Distortion. Now, can someone tell me the simplest method of distorting space?"
One of the students raised a hand. "Um, teleporting?"
She shook her head. "It is, in fact, spatial lubrication. In fact, that particular power is so ubiquitous that it is considered the most common spatial ability it is possible to be born with. That is not to say that it is weak, however, all manipulation of space can be efficacious if applied properly. Above lubrication is condensation, which the layman may consider teleportation, though it is not, and above that is tearing, which some prefer to term 'portals'. These are the basic tools of a spatial ascendant's trade. And the ones I will be educating you on today."
Turning, she gestured behind her. In the distance, something rose over the skyline. Something huge and terrifying with three eyes and a crown of dark horns. "First, lubrication," she said calmly, swiping a hand over the horizon. The monster, which had been moving forward, simply…flowed across the intervening space to appear a mile or so away from the class, towering over the students. "Second, condensation," she intoned, vanishing to appear in the air across from the monster.
The creature snarled at her darkly, rage and hate writ plain on its demonic features as it lashed out with a fist the size of a small building. "Third," she said placidly. "Tearing."
She waved a hand again, and like she was pulling aside a curtain, the space in front of her rippled, revealing a different viewpoint from before hanging translucently in front of her. I almost didn't realize what she had done until the fist hit the distortion and passed right through….emerging from under the monster's chin and smashing its head back in a truly brutal uppercut.
It started to fall, but with another flick, the portal closed, cutting off the arm entirely and leaving the monster stumbling back dazedly, one arm missing and the stump bleeding profusely. She flicked her fingers again, pulling that same spatial curtain over the arm and making it vanish like a magician at a stage show.
The monster roared and hissed, snarling with rage, and seemed to shake off the damage, raising its other arm to strike her down…and then its head VANISHED.
It took me a second to process what had happened, because the damage was so catastrophic it was almost impossible to piece together without going back over it from the beginning. The arm. The one she'd vanished. She'd teleported it high into the air, fist down. She'd dropped it from miles up and waited for the monster to walk into its own orbital punch. Now I knew what people meant when they described powerful blows as being "like the fist of an angry god".
The liquid dissolved, and I looked up to see Callie grinning at me wolfishly. "She's AMAZING, isn't she?" she asked eagerly. "I'm planning to ask her to be my academic advisor. Can you imagine how much I'll learn?"
Thinking about Professor Hawkins, who was pretty much filling that role for me, I was kind of jealous, but I wasn't too upset. Callie deserved a good mentor, and I was excited to see her catch up to me. This Professor Strauss seemed pretty amazing. But I knew there was more to this than just her showing off.
I grinned as I stood up, calling my staff to my hand as I started to limber up. "Let me guess, you want to see how much of that nonsense you can do on your own?" I asked her with an excited laugh. "It has been a while since we had a proper sparring match. Go ahead then, show me what you can do." I triggered Mornax, pushing it to A-rank with the staff's effects. "Defense only. I want to see what you're really capable of." Without having to worry about hurting me, I saw her start to get really amped up. This was going to be so much fun.